Particularly towards the end of his life Dylan Thomas has periods when the words never came. Actually, that’s not strictly true – the words of his poetry didn’t come but his film scripts and his radio work gave him new life – and money!
That is why the Dylan Thomas Prize accepts entries in all the genres that Dylan worked – fiction, short stories, poetry collections, film and media scripts. It was strange then to hear that Tessa Dahl (she’s the one squashed between Roald and Sophie) at the launch of the Prize in Boston on St David’s Day question whether you could differentiate and find a winner. (more…)